October 18, 2025.

Art aficionados hoping to lighten up this particularly unhinged spooky season, find reprieve at Well Well Projects, Oregon Contemporary’s members gallery, for its cute and mysterious group exhibition ₍^. .^₎⟆ & /|\ ^._.^ /|\ (pronounced “Cats and Bats”), on view through Oct. 26. Though the animals’ social symbolism will be on full display, plenty of the works are easily digestible works of art all about the animal kingdom’s mascots of Halloween.

click the link below to read Brianna Wheeler’s full review of ₍^. .^₎⟆ & /|\ ^._.^ /|\

www.wweek.com/arts/visual-arts/2025/10/18/celebrate-the-animal-kingdoms-halloween-mascots-with-group-art-show-/

October 4 – 26, 2025.

Anna Fidler, Michael E. Stephen, John Whitten.

For as long as humans have gazed into the dark, there have been cats and bats staring back. From divine guardians to ominous omens, these otherworldly creatures have captivated the human imagination for centuries.

The cat: collaborator of witches, its flashing, changeable eyes glinting with nocturnal mischief.

The bat: a messenger of the underworld, a velvet-winged omen overhead.

₍^. .^₎⟆ & /|\ ^._.^ /|\ is an exhibition of new works by Anna Fidler, Michael E. Stephen, and John Whitten that summon the humor, tenderness, and strangeness of these animals. Part séance, part pet portrait, part garage-sale coven, this exhibition conjures a shared love of magic(k) and mystery through drawing, painting, installation and assemblage.

www.wellwellprojects.com/cats-and-bats

September 26 – November 8, 2025.

PRAx Toomey Lobby.

Mooning Nancy is a series of digital photomicroscopic images of spellcasting salt, photographed by John Whitten. The salt was ritually collected at the Bonneville Salt Flats and prepared under the winter solstice full moon at Nancy Holt’s Sun Tunnels in Western Utah by John Whitten, Katherine Spinella, Michael Stephen, and Jessi DiTillio, four artists who collaborate as the Thunderstruck Collective. .

Salt has long been a medium of ritual by absorbing, preserving, protecting, and transforming. In this work, spellcasting salt serves as both material and metaphor, linking land art, communal ritual, and cosmic time. Drawing on the historical use of salt in mystical and protective practices, the Thunderstruck artists frame it as a conceptual vessel, charged through collaborative performance and celestial alignment. Whitten’s photomicroscopy images offer a personal visual interpretation of this shared material, revealing its microcosmic landscapes and symbolic potential.

As one of the few prominent women land artists of the 1970s, Nancy Holt’s work offers a unique lens for revisiting the history of the art historical movement. The Thunderstruck Collective intentionally timed visits to the Sun Tunnels with the solstices, experiencing the artwork as Holt designed it to align with celestial time. Through creative rituals and material experiments, the Thunderstruck artists build on Holt’s ethos by exploring solar, cosmic, spiritual, social, and political energies tied to human intervention in the landscape.

Special thanks to Dr. Christopher J. Marshall, Curator and Collections Manager of the Arthropod Collection at Oregon State University, for granting access to photomicroscopy equipment.

prax.oregonstate.edu/visual-arts/current/mooning-nancy

July 15 – September 6, 2025.

46.2496° N, 122.1369° W was juried into the Around Oregon Biennial by Scott Maulburn and, as a recognition of excellence, received $200 from The Arts Center The Steele Family Endowment.

Every 2 years, The Arts Center celebrates work created around Oregon with a juried exhibition in the Main Gallery. This exhibition includes work from both established and emerging artists, and embraces diverse perspectives from artists living across our expansive state.

Click the following link to read Scott Maulburn's juror statement: Juror Statement

July 5 - 26, 2025.

Well Well Well… Look who’s showing together.

This summer, Well Well Projects presents our member exhibition: a gathering of artists who, despite working across different mediums, themes, and sensibilities, share a bond of being in this thing together. It’s not a manifesto, a movement, or even a neat conversation. It’s a group show.

But not just any group show. This one is a bit like opening the group chat in physical form: everyone brings something different, there are pleasant surprises, and somehow it all comes together.

The title, Well Well Well…, is part greeting, part side-eye, part existential pause. It’s what you say when you’re surprised, curious, maybe a little impressed.

This exhibition marks another chapter in the ongoing project of being artists in public, together, and on our own terms.

Curated by Anna Fidler.

The Art in the President’s Office Program places emphasis on work made by OSU associated artists including current and emeritus faculty, alumni and students. This year, Michael Boonstra, OSU Senior Instructor II of Art, will exhibit work from his three series: range and nowhere/nowhere, and John Whitten, OSU Senior Instructor I, will present work from his series, Stochastic Resonance.

Fidler selected artwork for the 6th floor of Kerr that pairs experiments with color and the geography of the Pacific Northwest. Michael Boonstra’s numerous visits to Playa Summer Lake, Cape Perpetua (during the OSU Creative Coast classes), and Oregon’s forests inform his creative vision. Boonstra is interested in how science and aesthetics merge through the lens of an artist. A researcher, Boonstra investigates the land through a variety of mediums including drawings, photographs and site-specific installations. John Whitten’s meticulous experiments with color are both meditative and personal. Whitten’s almost-machine like attention to hand-drawn line and the optical mixing of color via finely sharpened pencils emphasizes process as well as the humanity of living in our digital age.

drawings is a solo exhibition by John Whitten at NEVER Coffee Lab, 537 SW 12th Ave, Portland, OR 97205

The show ran September 15 - December 15, 2024.

John Whitten’s drawings focus primarily on landscapes where he has completed a physical or emotional journey. By rendering digital photographs of these places through meticulous drawing techniques, he explores the parallels between the breakdown of digital images into pixels and drawings into individual marks. Using a digital projector, John translates his photographs into hand-drawn graphite and colored pencil marks, guided by the abstraction inherent in pixelated grids and halftone processes.

These works emphasize an emotional depth achieved through slowness and process, offering a counterpoint to the fast-paced consumption of digital images. By encouraging moments of meditative reflection, his drawings invite contemplation on themes such as materiality, time, labor, and the creative process. Combining traditional drawing methods with digital tools, John’s work investigates the dynamic relationship between technology, materiality, and the human experience.

This exhibition was generously funded in part by an Arts3C grant from the Regional Arts & Culture Council.

Little Pigeon and C-Curve Viewfinder, two collaborative works created with Katherine Spinella, will be on display at Oregon State University in Corvallis, OR.

In a cross-city pollination, The Vestibule hosts eight artists from the collective, Well-Well Projects while six Vestibule artists travel to Portland to install an exhibition in their gallery for the month of November.

The Vestibule is an artist-forward exhibition space in the Ballard neighborhood of Seattle.

In Seattle, Well Well presents the exhibition, Companions, guest curated by Alyson Provax. For Vestibule Artists in Portland see SEEDING.

This exhibition displays the work of 8 of the 14 artists of Well Well Projects, a member-run gallery in Portland: John Whitten, Kelda Van Patten, Jessie Rose Vala, Katherine Spinella, Morgan Rosskopf, Alyson Provax , Jeremy Le Grand and Erik Geschke. This group of artists works in a wide variety of mediums: Geschke in sculpture, Le Grand in painting, Provax in printmaking, Rosskopf in mixed media paper cutting, Spinella in mixed media collage, Vala in ceramics, Van Patten in photography, and Whitten in graphite drawing. The show operates as a forest: work supporting work to create an environment of unique species that have come together in ways both interdependent and at-odds.

Saturday, November 12, 2022 – Sunday, January 15, 2023

WAVE Contemporary

730 Southwest 10th Avenue, Suite 111 & 112
Portland, OR, 97205

WAVE Contemporary is excited to announce The Nexus of Here, an upcoming group exhibition featuring Jessi DiTillio, Claire Elliot, Tia Factor, Marcelo Fontana, Asa Mease, Midgray, Nicholas Moler-Gallardo, Susan Murrell, Hannah Newman, Morgan Rosskopf, Katherine Spinella, Michael Stephen, and John Whitten. Join us in celebrating the opening of the show on Saturday, November 12th from 5-8 pm.

The horizon line is a construction to explain the limitations of our bodies in relation to the world. Though we witness the horizon with our eyes, the phenomenon is ultimately imaginary–a concept to define our placement in built, natural, mental and social spaces. Delineating real, mental and imaginary space, the horizon persists as a faithful companion to travelers, explorers, dreamers, and field workers.

Central to the experience of the horizon is the availability of open mental and physical space. With the insatiable development of urban centers and information economies, we increasingly lose our connection with the horizon and our environment. Stable horizons give way to a mixture of depth, distance, pixels, and data. Information bubbles fragment our perception, while attention and outrage economies leave little space to change our minds, create new ideas, or explore the unfamiliar.

In the midst of personal and global scale upheaval, the exhibition The Nexus of Here offers space and perspective to recalibrate shifting horizons.

Opening Reception: November 12, 5:00 - 8:00 pm

Gallery Hours: Saturdays & Sundays, 11:00 am - 4:00 pm

For appointments outside our regular hours don't hesitate to get in touch with hello@wavecontemporary.com

This show is proudly supported by a Regional Arts & Culture Council Make | Learn | Build Grant. Additional support is provided by: WAVE Contemporary, SATOR Projects, Prosper Portland, and IPM.

To mark the reopening of historic Fairbanks Hall and its renovated studio and gallery spaces, faculty and alumni of OSU’s art program present "Through Line," a show featuring painting, photography, sculpture, and video art, representing 14 artists.

Inspired by the natural landscape surrounding Corvallis, "Willamette Streamflow" is a sculptural interpretation of 90 years of river flow measurements collected by the U.S. Geological Survey in Salem from 1930-2020. Willamette Streamflow was commissioned through Oregon’s Percent for Art in Public Places Program, managed by the Oregon Arts Commission, and joins a robust list of other such pieces on OSU’s campus.

The galleries in Fairbanks, prominently situated on the western edge of the MU Quad, will host a wide array of shows by faculty, students, and guest artists throughout the academic year.

Join us for a reception, celebrating the art and artists as well as this wonderful renovation. The galleries will stay open until 7:30 p.m. in conjunction with the downtown Corvallis Art Walk.

Well Well Projects in Portland, Oregon

Opening Reception Saturday, October 1, 2022 5:00–8:00pm

Gallery Talk with Dr. Kirsi Peltomäki, Julia Bradshaw, Ron Linn, & John Whitten Saturday, October 1 at 4:15pm

Visitor Information: drop in Saturdays - Sundays, 12-5pm, and by appointment

Along these lines is an exhibition of recent works by Julia Bradshaw, Ron Linn, and John Whitten. With landscape as their primary subject matter, these artists use time-intensive techniques in photography, painting, and drawing to explore the ambiguous authority of the grid when used to map spaces. These artists challenge the sociopolitical/historical gridded division of the landscape, employ the grid in scientific myth-making, and play with the breakdown of the pixelated pictorial space.

Well Well Projects in Portland, Oregon

Through pattern, pixelation, and repetition in action or motif, artists in To dog a portal observe the natural world through scientific data, human interaction, and magical thinking. Emboldened by the possibility of science and magic coexisting, this exhibition engages in a willful suspension of disbelief. Balancing these works on the horizon of time through careful precision in the making process, these artists cultivate a field for observing the super-natural qualities in seemingly everyday occurrences.

featuring works by:

Andrea Alonge, Ben Buswell, Erik Geschke, Jeremy Le Grand, Morgan Rosskopf, Katherine Spinella, Jessie Rose Vala, Jessie Weitzel Le Grand, & John Whitten

April 2 – May 1, 2022

after/time in Portland, Oregon

after/time is excited to announce our first exhibition in 2022 with the Portland-based collective, WAVE Contemporary! A Provocation opens Friday, February 4th and will run through March 3rd, 2022.

Please join us for the opening reception on Friday, February 4th 5-8pm PST.

WAVE Contemporary :

Claire Elliott

Marcelo Fontana

Asa Mease

Midgray

Nicholas Moler-Gallardo

Hannah Newman

Katherine Spinella + John Whitten

Kelda Van Patten

Rachael Zur

A wave occurs when a body of water is disrupted. Small disruptions can grow exponentially outward, affecting powerful change on a large area. WAVE Contemporary borrows its name from this phenomenon, seeking to enact small, but effective, change on the art community in Portland.

In Wave – A Provocation, WAVE Contemporary members present gestures of incitement, large and small. These provocations are situated, not within each individual’s practice, but within the practice or ethos of WAVE as a whole. As a dedicated collective, new gestures grow from our collaborative discussions. The process of critique becomes a focal point, and the work from each member highlights this process across various mediums. Just as art is a provocation, critique is also a provocative act, challenging the artist to reach beyond their normal habits, concepts, and thought-patterns. Through critique, WAVE artists seek to both provoke and be provoked, a reciprocity of expansion.

Transgression is always an integral part of artmaking. Wave – A Provocation proposes community as a catalyst for provocation, asking how communities challenge, support and transgress together. Each artist will present a piece that highlights the collaborative efforts of WAVE, an individual work shaped or influenced by critique and conversation within the larger collective. Within Wave – A Provocation, we invite viewers into the critique process and a community of provocation.

Curated by Marcelo Fontana, Rachael Zur, and Jason Triefenbach

Carnation Contemporary, Portland, Oregon

December 5 - December 19, 2021

The Oregon art community poses unique challenges for artists in the region. Suffering from a lack of space, unstructured market, recent loss of university programs, implicit biases, and lack of institutional support, in addition to the larger challenges of continuing gentrification, real estate speculation and more create a vacuum of leadership to envision new futures for our society. Amidst this ecosystem, artist-run spaces play a fundamental role in cultural production and promotion. Even with the challenges of funding, opportunity, and reach for member-run initiatives, artist-run spaces play an outsized role in Portland’s visual art scene by creating challenging and generative programming. In Atlas, Carnation Contemporary collaborates with other artist-run spaces and initiatives to address the issues listed above.

We believe galleries and artist communities with presence as a physical space have a responsibility to take risks and present exhibitions that capture the city's collective imagination. Carnation's gallery will become a place for reflection on how culture is produced. With this in mind and inspired by Didi-Huberman’s show Atlas: How to Carry the World on One's Back?, at Reina Sofia Museum, Spain 2011, Atlas is a collective curatorial construction presenting a mix of sculptures, projections, paintings and photographs. Our focus is to create a presentation of differences, while focusing on the link that binds us together – spaces enduring to collectively create culture. More than a logic of organization, archive, or a mechanism of research, the exhibition will be a process of discovery on how culture is produced here in Oregon, and how to build and harness a city or community’s collective imagination and create connections between seemingly disparate works.

As Ana Luisa Almeida stated in the book Wishes and Cities "[from] the perspective of identity as a collective construction...it remains to reflect on the responsibility that lies with each one of us. We all are builders of this imagination and the role of our decisions, our behaviors and values determine our social space, who is our city."

Atlas is a collective effort by 1122 Outside, After Time, Ditch Projects, Fuller Rosen, Gallery 114, Gallery Blue, IPRC, Tropical, Small Talk, Wave, Well Well, and Zymoglyphic.

click here to read Lindsay Costello's full review

Thunderstruck 2.0: black hole sun is the second in a series of exhibitions inspired by journeys to classic land art sites in the American West. For this exhibition, three artists and one curator traveled to Western Utah to see Nancy Holt’s 1973-76 work Sun Tunnels on the Winter Solstice, shivering and windblown. For the Summer Solstice, the original four returned with three new companions, expanding the collective to seven artists, blasted by sand and sun. The artists participating in Thunderstruck 2.0 bring diverse materials into their work--drawing, painting, photography, dirt, salt, magnetic waves, sound, light, and more--in order to transport viewers and offer an authentic sense of place. At the same time, Thunderstruck 2.0 asks questions of the Sun Tunnels… How does this site frame our perception of light, scale, and emptiness? Who did Holt make this work for? What is the relationship between land art and spectacle?

Curated by Dr. Jessi DiTillio, the Thunderstruck Collective is a growing group of artists committed to collaborative engagements with the land arts of the American west through exhibitions and publications.

Current participating members are in Las Vegas, Los Angeles, and Portland:

Katherine Spinella

Michael E. Stephen

John Whitten

Kristin Hough

Morgan Rosskopf

Ashlin Aronin

Part travelogue and part creative revisionism, the Thunderstruck project conjures new responses, affective, energetic, and communal, to art historical sites designed for isolation, solitary contemplation, and transcendence.

Opening Reception: Saturday, September 11th, 6-9pm

Gallery Hours: Fri-Sun 12-5pm
drop in or by appointment

As an alum of University of Oregon’s MFA program and co-founder of Carnation Contemporary, I was interviewed for the University of Oregon’s School of Art + Design web page to discuss some reasons why Carnation was created.

click here to read the full article